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More 80s/90s Thursday Night Hip-Hop Audio

Pictured: WPRB’s trophy wax Naughty by Nature 12″s

With thanks to WPRB History’s newest digital archivist Joan Hsiao, we present two recently digitized drop-ins from the station’s storied era of Thursday night hip-hop shows (The Raw Deal, Vibes & Vapors, Club Krush, etc.)

First up, this drop from Jeru the Damaja from the Vibes & Vapors era.

 

And then from the Raw Deal, we present Treach from Naughty by Nature.

 

And finally, just because it’s an easy excuse to post a great song, here’s the late, great Tony D, who was a contributor to all of the above mentioned shows, as well as a WPRB DJ in his own right. “Check the Elevation” is a critical slice of local hip-hop history.

Prince Rakeem (The RZA) Station ID + Early Hip-Hop on WPRB

Here’s a station ID from the Wu-Tang Clan’s RZA (aka Prince Rakeem) recorded for WPRB’s “The Raw Deal” sometime in the early 1990s.

 

The years 1985-1995 are generally thought of as hip-hop’s ‘golden age’, and it’s impossible to overstate the role that college radio stations played in transitioning the genre from its underground roots to the mainstream. At WPRB, hip-hop first emerged on a late 80s program helmed by Drew Keller GS ’91 along with current New York Times columnist John Leland. In the 90s, shows like “The Raw Deal”, “Club Krush”, and “Vibes & Vapors” attracted huge listenerships and made WPRB a local resource for an emerging genre and cultural movement. (At the apex of its popularity, the student hosts of “Vibes & Vapors” went so far as to rent office space on Princeton’s Nassau Street in order to manage and promote the show!)




WPRB and Me—Perfect Together!

By Sean Murphy ’94 [photo: Nicole Scheller]

I’m definitely not the first, and I hope I’m not the last, to be able to say that I majored in WPRB. Officially, I graduated with a degree in Politics, but my independent work and thesis focused on regulatory processes at the Federal Communications Commission. And that work resulted from many long and late nights spent playing and talking about records and bands and radio and what it meant to be non-profit, commercial, and independent all at the same time. From the music to the management lessons to the friendships, my WPRB experiences still reverberate nearly 25 years later.

I arrived at the basement of Holder Hall’s 11th entry in September 1990. I had some idea of what I might be getting into, as I’d spent the previous spring and summer interning at WMBR, 88.1 Cambridge, MA (MIT’s radio station). WPRB was different, from the rigidity of the program logs and actual paid 30- and 60-second ads to the presence of the main record library right in the control room. But the most important similarity was that WPRB saw and understood itself as an institution at, but not of, the university.

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