WPRB History

Robert Blizard Recalls Early Days at WPRU

Text: Robert Blizard ’44

I don’t think I had joined WPRU before the opening on December 15, 1940, but it wasn’t long after that when I was recruited by Lloyd Schaefer and went to work under Jim Robinson, the Chief Engineer. As I remember, the studio was in H. Grant Theis’s (didn’t we call him “Hank”?) dormitory room on the top floor of Pyne. When Theis gave it up, the room and the adjacent one were rented by Harry Bonner, Bob Cheney, and me. The studio remained where it was, and we lived in the other suite. Theis was a high powered executive, and we young fellows were a little afraid of him.

We designed and built most of our own equipment. Schaefer was the RF guy. I specialized in power supplies. The transmitter was in the basement and was coupled to the University’s power lines, which pretty much limited radiation to the campus, but there was some reception in the town. We did broadcasts of sporting events, but I’m damned if I can remember how the signal got from the remote location back to the studio – I guess we must have used telephone lines. The operating engineer in the studio always had a soothing piano recording by Carmen Cavalero to put on the air whenever the regular programming failed.

After we got the Royal Crown Cola advertising account, we always had plenty of pop to drink. That’s about what I remember, except for sitting at the controls with stupefying awareness that we were on the air, and any screw-up that I made would be heard by hundreds of people.

LISTEN: Fugazi Interview from April of 1989

Here’s a very early Fugazi interview which was recorded at WPRB on April 6th of 1989. This recording was made in advance of their gig at the Terrace Club in Princeton, which took place later that same evening.

LISTEN: Fugazi interviewed by WPRB’s Ethan Stein, 4/6/89.

[Right-click to Download]

This interview was recorded squarely between the release of the band’s debut and “Margin Walker” EPs on Dischord Records. (WPRB’s copy of the first is seen above.) All four members of the band join the discussion, and hold forth on matters including their rigorous touring schedule, the genesis of their legendary $5 door price policy, the metamorphosis of the DC music scene, and how they were verbally harassed by some local idiots on their way down to WPRB’s studios.

The Terrace Club gig which took place later that evening is available for download as part of Fugazi’s Live Music Series.

Uncle Mark’s 4th Annual Mondo Xmas Spectacular (Part 1)

With Jon Solomon’s 27th annual Holiday marathon on the approach, what better time to take a spin back through WPRB’s glorious Christmas specials of yore? Here’s a recently unearthed aircheck recording of DJ Mark Dickinson’s Mondo Xmas Radio Spectacular from December 15th of 1984. It’s a wild smackdown of sounds ranging from The Fall to Jimi Hendrix to Tuxedomoon to the Sonics…. only we had to cut all of that out for copyright reasons, leaving only the thrilling sounds of mic breaks from more than 30 years ago. Joining Mark are DJs and friends Dana Batali, Nicola Graham, Jared Silverman, Mark Crimmins, “Death” Ray Gonzalez of the Funstigators, and the Shields brothers of notorious Jersey punk band Detention. (“Dead Rock & Rollers, they were out of controllers!”)

You’ll also hear a rehearsal medley of hardcore holiday tunes from the Wild Hairs, courtesy of the Shields brothers. Stay tuned for part two in the coming days!

[Download]

WPRB is IMPACT!

Text: Rob Schuman

This is one of the first coverage maps from WPRB, produced shortly after the station went to full 17,000 watts of effective radiated power. Mapping radio reception is a tricky business, even today. FM waves don’t go around objects the way AM signals do. You just don’t know how far your signal will go until you actually go out and measure it. This is therefore an approximation of signal strength based on a 50 microvolt signal contour, which, I am told, means that you can still get it some places with a strong antenna, and a good FM tuner, and the luck of good geography.

Probably the most interesting thing about this map is the fact that there is a blank space where New York City is located. It’s almost as if New York didn’t exist (and it didn’t so far as WPRB was concerned, since it was probably overwhelmed by the neighbor stations on 103.1 and 103.5. In any event, it was designed to be used by the sales department to show how powerful we were.

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LISTEN: Singing Station IDs by the Tigertones

William Borchard (class of 1960) recently submitted an acetate disc of WPRB station breaks, as performed by University a cappella group, the Tigertones. Below are his written recollections of the recordings’ origins, as well as interleaved ‘Listen’ links to hear them.

In 1957, I wandered over to Holder Hall and became an on-air engineer at WPRB. In those days, we had vinyl LPs and 45s (in quite an extensive record library), and large reel to reel Ampex tape recorders. The engineer played the records and the announcer was on the other side of the glass. We had a teletype machine that sent us the United Press International feed, and that is what we read for the newscasts on each hour.

There were no women undergrads or cars in those days. All we did was drink. But Dave Fullhart, a WPRB executive, was permitted to have his white station wagon, with antennas all over it and WPRB on the door, in order to carry equipment to remote locations. It was all very serious, exciting and fun.

One evening we got everyone on campus to tune in and played “Rock Around the Clock” by Bill Haley and the Comets over and over again. The students opened their windows and played it loud all over campus. Then they started a riot which got out of hand. As a result, the University banned us from playing that song ever again.

I started doing the remote broadcast of the Sunday Chapel service each week and finally I got my own one-hour show on Saturday mornings. It was called “Saturday Morning Showcase” playing mostly standard pop music. I got Jimmy Stewart to record a spot announcement about my show when he came to Princeton. I also got some townie girls to swoon over my show in a spot. I think by then I was doing the engineering and announcing myself.

And . . . . I wrote the singing station breaks. I had my high school music teacher arrange them, and I convinced the Tigertones to record them. I played them on my program but I doubt anyone else played them. Standards were lax, the AM signal was carried through the electric lines, and the FM signal could only be heard on or close to campus, so the audience generally was small, if any. It did not matter because we just assumed someone was listening—I think my roommate listened sometimes.

I still love radio, and am a strong supporter of New York Public Radio WNYC.

Radio Striptease on “The Magic of Radio”

Text: Marc Fisher ’80 | Photo: Rob Schuman ’74

The Magic of Radio was a late-night, sometimes all-night, program that aired once a week from about 1977 to 1980. It was a mix of music, juvenile nonsense, brilliant satire and pathetically bad taste.

We tried to stay as close to the legal and moral edge as possible. We had a weatherman with a speech impediment that rendered him entirely incomprehensible. We had a substitute weatherman who was sentenced to stand at an (imaginary) outdoor phone booth in Kingston whenever there was significant snow or, his personal favorite, freezing rain. We had a sports reporter who never once made it on the air; he always seemed to be delayed at a bar across the street. The news was read by Gus Gil, whose booming voice made the acts of a New Jersey state magistrate seem like the coming of the Lord.

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LISTEN: Promo for Eight-Hour Spotlight on The Residents

Adam Gottlieb was one of WPRB’s more assertively challenging DJs of the early 1990s. As has been previously mentioned here, he once subjected himself to every single Jandek LP in one marathon/overnight session. On top of that, his love of skronky jazz, Captain Beefheart, and obscure international music often made his show something of an endurance test for more timid listeners.

Mixing all of those sounds together into a single freeform show was no big deal for Adam, but sometimes (usually during school breaks when the majority of the airstaff was away from campus), he’d embark upon marathon broadcasts devoted to a single artist with a sprawling back catalog—as much as to fill/kill long stretches of airtime as for the irritainment of the listenership. Case in point, his 1992 eight-hour spotlight on The Residents.

Here’s the promo:

WPRB in The Daily Princetonian: The Early Years

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Rob Schuman ’74 sifted through The Daily Princetonian‘s extensive archive, looking at all 8,000 unique mentions of WPRB. He’s compiled the most interesting into a series of slideshows. This post documents WPRB’s early years. Beware those kilocycle gremlins.

WPRB in the Daily Princetonian: Recruiting

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Does modulation excite you? Asking for a friend. WPRB has used all sorts of different methods over the years to lure new student DJs. This slideshow documents some of the best from the 1940s-1970s.

Rob Schuman ’74 sifted through The Daily Princetonian‘s extensive archive, looking at all 8,000 unique mentions of WPRB. He’s compiled the most interesting into this series of slideshows.

John Catlett Reflects on WPRB at 75

Here’s another great reason to support WPRB during this week’s 75th anniversary membership drive from John Catlett ’64—a man with a fascinating radio résumé that extends well beyond WPRB (as you’ll hear in the clip below.)

John further recalls his time at WPRB:

“It was that Fall [1963] as I recall that one of our students who had spent his summer in Europe came into our studios with a single record by a new singing group he said was getting a lot of attention in England. I don’t know if he had brought with him a pressing from England, so I don’t know if there’s any chance we were the first station in America to play “I Want to Hold Your Hand,” but we must have been one of the first. By the Beatles, of course.”

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