DJ Testimonials Archives - Page 2 of 5 - WPRB History
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DJ Testimonials, Page 2

(Radio) Revolution Girl-Style Now!

Image: “There’s a Dyke in the Pit” 7″ compilation, Outpunk Records, 1992.
[Text: Gayle Wald and Joanne Gottlieb]

WPRB’s “Ladies First” aired Monday nights at 9 PM beginning in the summer of 1992. The original idea was for a show that featured female artists and that interrogated what “women’s” music could sound like. It was one a few radio shows in the New York-to-Philadelphia area that routinely featured music from the burgeoning Riot Grrrl movement of women in indie rock. The title of the show was taken from a track by Queen Latifah and Monie Love on Queen Latifah’s groundbreaking debut LP, “All Hail the Queen”. The original promo invited lady listeners to tune in and “liberate your radios!”

DOWNLOAD: 11 Page PDF of Ladies First playlists from 1992

LISTEN: “Ladies First” promo #1


Below is the transcript of a conversation between co-hosts Gayle Wald (Grad ’95) and Joanne Gottlieb (Grad ’02) about the show and its origins.

Gayle Wald:  Joanne, how do you remember getting involved with “Ladies First” and WPRB?

Joanne Gottlieb:  I got involved with WPRB in the spring of 1990 – my friend and fellow grad student Christian Perring suggested we do the training for the station/FCC license together, and we started doing our respective shows that summer. As an undergrad, I had had a boyfriend who was a college radio DJ, and doing college radio seemed like one of the coolest things you could do, short of being in a band yourself. Doing the WPRB training was also a way to spend more time with Christian, on whom I had a big crush. (We got together that spring.) I guess my involvement with music has always had a big connection to the men in my life. (more…)

Announcing WPRB’s Public Exhibit!

We’re thrilled to announce the long-planned second phase of WPRB’s 75th anniversary celebrations (the first being the launch of this website): a physical exhibit of station history and esoterica, which will be on display at Princeton University’s Mudd Library through May of 2016, and which is open to the public!

Titled “WPRB: A Haven for the Creative Impulse”, and curated by WPRB’s Mike Lupica and Princeton University Archivist Dan Linke, the exhibit is a meatspace version of the kind of materials we’ve been highlighting on this website. On display are vintage photographs, playlists, documents, selections from WPRB’s vinyl record library, vintage broadcast equipment, and much more. There is also an interactive content station that allows visitors to browse audio selections and WPRB-related news clippings from the last 75 years.

“WPRB: A Haven for the Creative Impulse” is a free exhibit which is open to the public. The exhibit is housed in the Wiess Lounge at the Seeley G. Mudd Manuscript Library, 65 Olden Street, in Princeton, New Jersey. (Right around the corner from Hoagie Haven!) Viewing hours are Monday – Friday, 9 AM – 4:45 PM.

More info.

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“The Princeton Freedom Station is On the Air!”

[By Warren Fales ’43. Pictured: Unknown WPRU Engineers]

I started out with The Daily Princetonian and, in early 1941, part of my news-writing assignment was to cover the new student-operated radio station, WPRU. I became more and more interested in the station’s operations and even began to fill in as an announcer from time to time. My superiors at The Prince, pointing out that WPRU was a competitor to the newspaper, told me to make up my mind who I wanted to work for, so I finally quit the Prince.

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Saturday Soul with JB and the Soul Gang

[By “JB”, aka James E. Butler, Esq. ’74]

My experience at Princeton was defined by my participation at WPRB-FM. Quite simply, my radio show meant everything to me. My social life and “spare” time revolved around my show. It was an exciting experience to be part of the growing movement offering “soul” music on FM radio during the early seventies. I remember being one of the very first to prominently play soul albums by persons and groups who would become major acts in the 70’s, such as Roberta Flack, Valerie Simpson, Ashford and Simpson, Barry White, and Earth Wind and Fire. My three year show at WPRB kept growing until it occupied the air waves from 1:00 – 7:30 p.m. on Saturdays. I believe it was the longest show at that time. I would have gladly hosted a show every day of the week if allowed.

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1949 WPRU Sign On—Awaiting “the Magic Hour”

[By Nelson Runger ’53]

I drew the job of morning man in September of my freshman year, 1949. I had about an hour’s instruction the day before my debut—all about how to turn the station on in the morning, etc. There was no separate engineer. I was the whole staff on duty.

I cajoled my three suite-mates to get up and listen to my debut (which was a three-hour stint that began at 6:00 a.m., as I recall.) I showed up about a half-hour early, turned on all the switches and gauges I had learned the previous day, selected the records I would play during the first hour, read over the FCC announcement that had to be read aloud at the beginning of the broadcasting day, cued up the Star Spangled Banner, and awaited the magic hour. (Ed note: The routine steps of morning sign-on, then as now, are required to be chronicled on every radio station’s daily programming log. See above for example from roughly the same era referenced in this story.)

At 6:00, I played the national anthem, read the FCC announcement, and launched into my three hours of recorded music, zippy banter, occasional news items, (mostly read from that morning’s Daily Princetonian), and frequent solo work on the Jew’s harp (also called a mouth harp and a jaw harp.) At the end of my three hours, I turned the station off, there being then a period of some hours before the station went on the air again.

I rushed back to my room and found my three suite-mates staring glumly at me. They hadn’t heard a thing, the one switch I had forgotten was the one that turned the transmitter on.

Kicking Mainstream Taste to the Curb

[By Justine Heilner 96, above, with Matthew Robb 94. Working the door at the WPRB-sponsored Tsunami/Spent show at the Princeton Arts Council]

I knew first thing freshman year that I wanted to be a DJ at WPRB because my brother Alex Heilner, three years my senior, was one too. I lived just around the corner from the studio in Hamilton Hall. Jen Moyse trained me—what an intimidatingly cool person to learn from! I was ‘lucky’ to never have to do a graveyard [late night] shift because Matthew Robb and Sean Murphy tricked me into being Traffic Director in exchange for a better time slot. What the hell did I do as Traffic Director?! I recall a lot of dot matrix printouts and a computer in a small room down the hall…

The first time I had a show my hands were shaking so much I had a hard time cueing the record. I had never done any kind of public speaking and I am not particularly into performance. I didn’t do banter and I didn’t have a sidekick or partner so I decided to just keep my speaking to a minimum and play the music. Listening to tapes of my first shows I thought I sounded like a really young girl. I created a radio voice—when I listen to young women DJs on college radio now, I know exactly what they’re doing. (more…)

The Musical Box, and Prog vs. Punk at WPRB

 

[By Bill Rosenblatt]

When I first showed up at WPRB in the Fall of 1979, the station’s musical center of gravity was shifting from progressive rock to punk and new wave. I was a prog fanatic – thanks in part to listening to WPRB during my senior year of high school in Philadelphia, especially late at night when the signal was stronger (this was before the early 1990s power increase) and DJs were more likely to play 10-minute epic prog tracks. But by the time I had gone through DJ training, I was one of the few remaining people who was still into prog. So I started a specialty show called “The Musical Box”, named after an early Genesis tune, which focused on prog rock as well as jazz-rock fusion. I believe I did the show from 1980 through 1982. Later on, Kevin Boyce ’83 joined me as cohost.

LISTEN: Musical Box Promo #1 (featuring stylish use of “Heart of the Sunrise” by Yes.)

 

LISTEN: Musical Box promo #2 (with great re-purposing of “California Über Alles ” by the Dead Kennedys”

 

We had an on-air “rivalry” between Mark Dickinson ’84 and myself.  Mark was the resident expert on hardcore punk; he did a specialty show on it called “Decline and Fall”. The rivalry was “Punk is not music, the musicians can’t even play their instruments” vs. “Prog is pretentious, self-indulgent dinosaur music that isn’t real rock ‘n’ roll.” It was nothing personal; I had great respect for Mark, and he even got me to fill in for his show once.

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On the Lasting Benefits of the WPRB Experience

[By Dave Forrest ’60]

Reminiscences of the heroic age of PRB in the late 50’s retain their noble lustre beneath the encrusted molluscs and other crud of time. Other contributors to this [project] will no doubt limn the brilliant PRB trajectories of such mythic figures as Siggins, Crowther, McGuire, Dunn, Fuellhart, McCracken, Miller, McGiffert, Fleishhaker, Medina, et al. and the promulgated joys of midcult and masscult offerings of the station.

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Oh God, My God, I Left my Key to Heaven at Home

By Teri Noel Towe
[aka “TNT” or Teri “The Animal” Towe]

The late 60’s were a Golden Age for classical music at the station. WPRB was blessed with a string of committed and sensitive Classical Music Directors: Jeff Schaefer, Hal Abelson, Greg Petsko, and Alan Konefsky. I myself had the pleasure of serving in that capacity for a year and a half. The Classical Department had four hours every weekday evening (7 to 11) and several hours on Sunday afternoon. As a record collector and classical music nut, I found at WPRB the perfect forum for the grinding of my personal axes. For two years (my junior and senior years), I did two shows a week (Tuesday and Thursday evenings). In addition to series devoted to all the recordings of the harpsichordist Wanda Landowska and the cellist and conductor Pablo Casals, I regularly presented “The Age of Shellac”, a series devoted to historic 78 RPM recordings, which I transferred to tape on my own equipment in my dorm room, first in ’41 Hall, and then in ’03.

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Welcome Back—Fall of ’83

By Henry Yu
(Above, L-R: Yuval Taylor 85, Nicola Ginzler 85, Colin Iosso 84, Henry Yu 84, Bob Bruce 85. On the road to an REM/Hüsker Dü gig in WPRB’s VW Rabbit. Photo by Kristin Belz ’84))

1980-1984 was such a great time period musically. First generation punk rock may have already been declared dead by the cognoscenti, but those four years would mark the heyday of the post-punk and hardcore eras, the advent of college rock, and the birth of what would come to be known fondly as 80’s rock. To have been at WPRB when so many incredible records were coming out, while clubs like City Gardens and Maxwell’s played host to these bands tours, and their records could be bought at the Princeton Record Exchange or a Saturday bus ride to NYC from in front of Nassau Hall, was an incredible experience. And to have shared it with fellow DJs who became lifelong friends has made WPRB much more than a four year experience.

I began my DJ-ing as one half of the self-proclaimed “no future glimmer twins”, since neither one of us was competent enough to both talk and engineer at the same time, it took both of us to get us through a show. We even walked around campus handcuffed together on occasion. Eventually, we got our own shows.

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