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1990s, Page 2

Friday WPRB DJ Pinup: John Weingart!

Years on air:

– Answer: About 40
– Alternate answer: Since Richard Nixon was President.
– Longer answer: Started as a grad student in February 1974 and continued for both semesters in 1974/1975. Then returned in February 1976 and forgot to leave.

Favorite bands/musicians: David Bromberg, Leftover Salmon, Railroad Earth, Beppe Gambetta, Dan Bern, Tedeschi-Trucks Band, Randy Newman. Lacy J. Dalton, Chuck Brodsky, Bruce Hornsby.

Memorable on-air moment: When I started and had an early morning show, a woman called in and said, “Young man, do you realize you are in Princeton, New Jersey? This is not Nashville.”

Advice for current WPRB DJs: From time to time while you are alone (and preferably driving), listen to a recording of your show and make sure nothing about it annoys you and makes you think about switching the station.

WPRB: The View from Outside

[Words: Mike Appelstein. Photos: Rob Schuman]

In the summer of 1986, I was a student at Rutgers University and a DJ at the campus radio station, WRSU-FM. I had grown up in the area, and listened to both WRSU and WPRB as a teenager. In those days before the Internet and streaming audio, you had to seek out cultural avenues by yourself, and I was very fortunate to have resources like these to light the way.

I’d heard my friends Gene and Bryan, both Rutgers students and WRSU DJs, on WPRB as well. One day I asked Bryan how he managed to get on WPRB. I assumed you had to be a Princeton student to qualify for airtime. “Call Ken Katkin,” he suggested.

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WPRB, the Devil, and Me

[By Stephanie Obodda. Photo by Dr. Cosmo.]

I have a lot of WPRB memories, but the most important is my first. When I got to Princeton in 1998, the social life seemed so homogeneous and it didn’t take me long to realize I wouldn’t fit in with the [University’s] eating club scene. I was already resigned to spend the next four years in my dorm room listening to music alone when fellow freshman Alex Wood and I decided to check out the radio station. The first time I walked into the tech shop and Phil Taylor handed me a soldering iron, I knew I’d found my happy place!

Even pulling a 2am shift, you were never alone in the studio. You were in the company of hundreds of former DJs who’d left their handwritten reviews on record and CD covers.

Pictured below, by Stephanie’s request, WPRB’s copy of Einstürzende Neubauten’s “Silence is Sexy”—a favorite of her era. (Hilariously tagged as “German R&B” by former WPRB DJ and Treblequake host, Brian Farmer.)

Click for larger version.

 

(Radio) Revolution Girl-Style Now!

Image: “There’s a Dyke in the Pit” 7″ compilation, Outpunk Records, 1992.
[Text: Gayle Wald and Joanne Gottlieb]

WPRB’s “Ladies First” aired Monday nights at 9 PM beginning in the summer of 1992. The original idea was for a show that featured female artists and that interrogated what “women’s” music could sound like. It was one a few radio shows in the New York-to-Philadelphia area that routinely featured music from the burgeoning Riot Grrrl movement of women in indie rock. The title of the show was taken from a track by Queen Latifah and Monie Love on Queen Latifah’s groundbreaking debut LP, “All Hail the Queen”. The original promo invited lady listeners to tune in and “liberate your radios!”

DOWNLOAD: 11 Page PDF of Ladies First playlists from 1992

LISTEN: “Ladies First” promo #1


Below is the transcript of a conversation between co-hosts Gayle Wald (Grad ’95) and Joanne Gottlieb (Grad ’02) about the show and its origins.

Gayle Wald:  Joanne, how do you remember getting involved with “Ladies First” and WPRB?

Joanne Gottlieb:  I got involved with WPRB in the spring of 1990 – my friend and fellow grad student Christian Perring suggested we do the training for the station/FCC license together, and we started doing our respective shows that summer. As an undergrad, I had had a boyfriend who was a college radio DJ, and doing college radio seemed like one of the coolest things you could do, short of being in a band yourself. Doing the WPRB training was also a way to spend more time with Christian, on whom I had a big crush. (We got together that spring.) I guess my involvement with music has always had a big connection to the men in my life. (more…)

Announcing WPRB’s Public Exhibit!

We’re thrilled to announce the long-planned second phase of WPRB’s 75th anniversary celebrations (the first being the launch of this website): a physical exhibit of station history and esoterica, which will be on display at Princeton University’s Mudd Library through May of 2016, and which is open to the public!

Titled “WPRB: A Haven for the Creative Impulse”, and curated by WPRB’s Mike Lupica and Princeton University Archivist Dan Linke, the exhibit is a meatspace version of the kind of materials we’ve been highlighting on this website. On display are vintage photographs, playlists, documents, selections from WPRB’s vinyl record library, vintage broadcast equipment, and much more. There is also an interactive content station that allows visitors to browse audio selections and WPRB-related news clippings from the last 75 years.

“WPRB: A Haven for the Creative Impulse” is a free exhibit which is open to the public. The exhibit is housed in the Wiess Lounge at the Seeley G. Mudd Manuscript Library, 65 Olden Street, in Princeton, New Jersey. (Right around the corner from Hoagie Haven!) Viewing hours are Monday – Friday, 9 AM – 4:45 PM.

More info.

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Prince Rakeem (The RZA) Station ID + Early Hip-Hop on WPRB

Here’s a station ID from the Wu-Tang Clan’s RZA (aka Prince Rakeem) recorded for WPRB’s “The Raw Deal” sometime in the early 1990s.

 

The years 1985-1995 are generally thought of as hip-hop’s ‘golden age’, and it’s impossible to overstate the role that college radio stations played in transitioning the genre from its underground roots to the mainstream. At WPRB, hip-hop first emerged on a late 80s program helmed by Drew Keller GS ’91 along with current New York Times columnist John Leland. In the 90s, shows like “The Raw Deal”, “Club Krush”, and “Vibes & Vapors” attracted huge listenerships and made WPRB a local resource for an emerging genre and cultural movement. (At the apex of its popularity, the student hosts of “Vibes & Vapors” went so far as to rent office space on Princeton’s Nassau Street in order to manage and promote the show!)




Kicking Mainstream Taste to the Curb

[By Justine Heilner 96, above, with Matthew Robb 94. Working the door at the WPRB-sponsored Tsunami/Spent show at the Princeton Arts Council]

I knew first thing freshman year that I wanted to be a DJ at WPRB because my brother Alex Heilner, three years my senior, was one too. I lived just around the corner from the studio in Hamilton Hall. Jen Moyse trained me—what an intimidatingly cool person to learn from! I was ‘lucky’ to never have to do a graveyard [late night] shift because Matthew Robb and Sean Murphy tricked me into being Traffic Director in exchange for a better time slot. What the hell did I do as Traffic Director?! I recall a lot of dot matrix printouts and a computer in a small room down the hall…

The first time I had a show my hands were shaking so much I had a hard time cueing the record. I had never done any kind of public speaking and I am not particularly into performance. I didn’t do banter and I didn’t have a sidekick or partner so I decided to just keep my speaking to a minimum and play the music. Listening to tapes of my first shows I thought I sounded like a really young girl. I created a radio voice—when I listen to young women DJs on college radio now, I know exactly what they’re doing. (more…)

Ramones and Bad Brains at City Gardens, 1991

Here’s another classic City Gardens promo, this one hyping gigs from the Ramones (who at that point in their career were playing the club every 3-4 months), and whose local appearances were frequently announced on WPRB with three-hour, all-Ramones broadcasts helmed by DJ Greg Savage.

The promo also touts an appearance from the Bad Brains. This recording dates from 1991 and is an interesting document of the brief time when Bad Brains vocalist HR and been replaced by Chuck Mosley, original singer of Faith No More.

 

WPRB and Me—Perfect Together!

By Sean Murphy ’94 [photo: Nicole Scheller]

I’m definitely not the first, and I hope I’m not the last, to be able to say that I majored in WPRB. Officially, I graduated with a degree in Politics, but my independent work and thesis focused on regulatory processes at the Federal Communications Commission. And that work resulted from many long and late nights spent playing and talking about records and bands and radio and what it meant to be non-profit, commercial, and independent all at the same time. From the music to the management lessons to the friendships, my WPRB experiences still reverberate nearly 25 years later.

I arrived at the basement of Holder Hall’s 11th entry in September 1990. I had some idea of what I might be getting into, as I’d spent the previous spring and summer interning at WMBR, 88.1 Cambridge, MA (MIT’s radio station). WPRB was different, from the rigidity of the program logs and actual paid 30- and 60-second ads to the presence of the main record library right in the control room. But the most important similarity was that WPRB saw and understood itself as an institution at, but not of, the university.

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